🔗 Share this article Our Top Record of the Year: Rosalía's Lux Secures the Number One Place. At first glance, this album may look closer to an arduous academic quiz than the latest pop record by an artist whose previous hit featured an international K-pop icon. Broken into 4 different movements and performed in thirteen languages, it is a dizzying classical-tinged album exploring feminine mystique, religious ascent, and corporal transformation, frequently by way of the prism of different women saints. The end of a romance—a theme handled with raw honesty on another major 2025 album—soars heavenward on this record, carried by the constant presence of a full symphony orchestra and work from an award-winning composer among a vast roll call of collaborators. The pure daring alone renders the efforts of contemporary pop stars seem rather laughable. Rising Above Academic Pretense That this album succeeds in transcend overly academic chin-stroking is nothing short of a miracle, and sole credit going to Rosalía. Although it's not her first album to blend the past with modern styles, its ambitions feel far greater on Lux, with the tightrope walk more pronounced. The element that really raises her fourth release, outside of its complex tunes, rich arrangements, and inherent theatricality, is a core sense of joy. Much like the iconic artist during her height, there is a captivating quality to Rosalía's singing which sweeps the listener up in its tornado. When she is breaking hearts in two, the listener nevertheless want to stay right there for the ride. A Prime Example of Joy This playful spirit shines brightly during the stunning Italian song about a saint. It luxuriates in a sorrowful melancholy for several minutes. Suddenly, everything drops away, and there's a gleeful giggle and a comment prior to a comically over-the-top orchestral surge thuds in with cartoonish impact. The song immediately segues into the frenetic track driven by galloping orchestration, a powerful choir, and a cameo appearance from none other than Björk. "The charm with this album is that you rarely exactly understand—nor want to know—where it is going to next." Nearly every track finishes at a totally distinct place than where it began. One moment examines the fleeting trappings of fame with a featherlight orchestration before collapsing into electronic cacophony. Elsewhere, a song echoing her earlier rhythmic work begins off moody and sinister, featuring menacing vocals, before sudden flamenco rhythms and an angelic chorus enter to smooth its jagged edges. The Bridge Of Experiment and Accessibility A key balancing act on the album is straddling the gap of bold experimentation and mainstream accessibility. It is little surprise that the album has become the artist's highest-charting work to crack the Top 5 of major markets: its heart contains a collection of utterly undeniable hits. One track performed entirely in the English language swells around a refrain that feels to collect increasingly infectious melodies while it spins skyward. That feat gets echoed by another expansive track that expands and constricts, intertwining layered melodies as an intricate weave. A waltz-like song charms with its jaunty, theatrical drama and a chant-along hook. In its words, it aligns the cultural honesty of other heartbreak songs, eviscerating a former partner labeled an "emotional bully". Throughout these tracks, the vocals carry a painted-on edge, akin to a storybook character concealing a blade: "Top prize in acting like a scoundrel / You have the podium of letdown." An Opulent Banquet for the Soul Lux is pop on a maximalist scale, an ambitious grasp for high Art amid of impending AI-generated sameness. It eschews self-absorption in favor of sublime elevation, creating an over-the-top drama that skillfully controls its built-in excess. This is an abundant well of buried gems that requires time to completely explore but doesn't feels like a chore. While other major releases of 2025 seemed like feasting on meal, this record is a sumptuous feast at which the characters around the table, perhaps intoxicated on sacred wine, flutter from conversations about ancient saints, the galvanizing feeling of heartbreaking grief, and shared stories about hopeless men. It is a contemporary musical from pop's truly endlessly creative visionary.